Maker · 6 min read · 12 Sep 2026

The maker behind the stoneware bowls

Ellinor throws every bowl we sell in a converted stable in the Cape winelands, eleven at a time.

Ellinor's studio sits behind a greenhouse in the Cape winelands, in a converted stable that still smells faintly of hay under the clay dust. She's been throwing pots for eleven years, the last four of them full-time, and the stoneware breakfast bowls we carry come out of the same kiln, on the same afternoon, in a batch of eleven.

Every bowl is thrown on the wheel, trimmed by hand the next morning while the clay is still leather-hard, and glazed in a single oatmeal tone she mixes herself from feldspar, kaolin, and a small amount of iron oxide. No two come out quite the same. That's not a flaw she's trying to fix — it's the part she likes most about the process.

We asked her why bowls, specifically, out of everything she could throw. Her answer was simple: a bowl gets used every single day, usually more than once, usually without anyone thinking about it.

A well-made object shouldn't demand attention. It should just quietly make the day slightly better.

The batch we carry takes about three weeks start to finish — a week of throwing, a week of trimming and bisque firing, and a final week for glazing and the second firing. She fires eleven at a time because that's what fits the kiln. When they sell out, we wait for the next batch rather than switching studios.

We'll post the next batch date here once she's confirmed it. In the meantime, the current stock is in the shop.